Poco conocidos hechos sobre FRITZ HONKA.
Poco conocidos hechos sobre FRITZ HONKA.
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El monstruo de St Pauli cuenta la historia de Friedrich Paul Honka, apodado como el ‘destripador de San Pauli’, que fue un criminal en serie de la término de 1970. Su modus operandi consistía en contratar a prostitutas para llevarlas a su casa, matarlas, descuartizarlas y esconder sus cuerpos en un hueco de la horma.
), the film will face the challenge of commercial audiences. It has been widely sold around the world on the strength of the director’s reputation, which is flying high after the success of his 2017 thriller In the Fade,
Karl Grossmann mataba a sus víctimas y vendía su carne en el mercado negro y en su puesto de perritos calientes. A posteriori de que los vecinos oyeron gritos, la policía irrumpió en su casa para encontrar a una muchacha muerta en su cama.
Ahora aceptablemente, a pesar de estar familiarizados con las sorpresas genéricas de Akin, el brinco mortal sin Nasa que supone para su carrera El monstruo de St. Pauli es un twist alucinante que ha cogido a toda la comunidad cinéfila desprevenida. El
Her buried remains were discovered accidentally by a construction worker over a year after the murder, but with the absence of some body parts, the investigators had trouble identifying the corpse. Finally they identified the body as Gertrude Bräuer, but no one connected her disappearance with Honka.
El olor a putrefacción en la casa comienza a hacerse insoportable, lo que le genera varias discusiones con los vecinos del edificio. Con el paso de los díVencedor acuerdan que todo se debe a un problema de las cañerías y se olvidan del altercado.
But Honka didn't stay in the institution forever. In 1993, Honka secured a release from the hospital and was sent to live demodé the rest of his days in a nursing home. He was a resident there until he died in 1998 (via Deutsche Welle).
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Like their counterparts in other areas of the Western Hemisphere, German killers have inspired music and film and have been the subject of more than a handful of documentaries.
Conversely, Spleeny Dotson of Starburst Magazine gave it six pasado of ten stars, commending the film for effectively capturing "the bleak hopelessness of the seamy side of the 1970s," Campeón well Triunfador the makeup design and Dassler's performance. Dotson however, criticized the film's extraordinario violence Figura "repetitive and predictable" Triunfador well Campeón its failure to explain the reason behind Honka's killings.
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A esto se sumaba su indigencia de tener un papel superior como hombre, viéndose incluso a sí mismo como el “Señor de la vida y la muerte”.
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